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Blueblut / Seb Rochford – Pamelia Stickney Duo – DOUBLE BILL

Doors 7:45 PM, Music 8:30 PM – 2 set(s) of music

 

Line-up:

Mark Holub – Drums

Pamelia Stickney – Theremin

Chris Janka – Guitar

Seb Rochford – Drums

 

About

 

Blueblut

Emerging from Vienna’s thriving underground music scene, Blueblut is arguably one of its most intriguing combos. The trio, founded by three musical powerhouses, famous in their respective spheres of jazz, electronic and avant-rock music, have the intensity of rock, the space and openness of electronica and the razor sharp precision and wild improvisation of jazz.

In Blueblut’s now ten year history, they have wowed audiences across Europe, Japan and South America on their relentless touring, being described as “…the most effective wake-up call you could ever experience” by taste-maker blog Louder Than War and picking up praise across the pond with the Brooklyn Rail(U.S.) declaring “Most of these tunes come across like highly abstracted, well-executed cover versions of pop songs that never were.” As well as featuring on the ‘German Record Critics’ Award’ quarterly ‘Critics Choice’ list.

Pamelia Stickney is probably the most recognisable player of the theremin in the world today, being key in the instrument’s development she is the number one go-to theremin player. Alongside her own compositions and releases she has performed with the likes of Yoko Ono and David Byrne. Mark Holub is best known as the animated Anglo-American drummer and bandleader of London based and Mercury Prize nominated jazz-rock outfit Led Bib. Holub recently decamped from London to set up home in Vienna. Flying machine maker, sound engineer, guitarist and automata creator Chris Janka is a kind of Viennese Caractacus Potts figure with a basement studio to rival Peter Blake’s. He also recorded, engineered and mastered all the records.

 

Seb Rochford & Pamelia Stickney  

Although aware of one another for a number of years, Seb and Pamelia first played together at the suggestion of Brighton’s Loop Festival, and subsequently recorded this album’s material in a Brighton studio, in a number of free improvised sessions then edited by Seb. Portishead’s Adrian Utley added his unique mixing angle, and Ouch Evil Slow Hop was born.

 

 

 

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